Expressive Arts Programs
Arts are a vital complement to conflict resolution skill-building. When we couple arts activities with discussions that build conflict resolution skills, the skills can be more tangible and reflection can deepen. These third graders explored anger when upset feelings weren’t actually erupting; they used writing to befriend anger. Students tried out new ideas: that anger sends a message that we can pay attention to, and that we can learn to express anger’s message constructively. By interlacing the lesson with songs and creative writing, the skills themselves were anchored in a multi-faceted way.
Expressive arts include a panoply of activities like drama, dance, musical theatre, graphic art, visual art, performance art; music, and creative writing to name the most common forms. All of these artistic endeavors offer opportunities for conflict discovery – a process of reflection and increasing awareness about one’s orientations to and reactions to conflict.
Art has the power to connect people and build community. In addition to developing an affirmative classroom climate, activities with music, storytelling, creative movement, poetry, and dramatics can help students gain deeper understanding of social situations, reinforce important social messages, and provide direct opportunities to practice skills relating to conflict resolution. Assignments in drawing, painting, and sculpting, as well, can be structured to explore the dynamics of relationships. Over the past two decades, in particular, songwriters, poets, and conflict resolution trainers have been devising new material to explore peace building creatively.
Videos of Possible Interest
- Restorative Justice Arts Initiative
- Another Bully Busters Song
- Talk It Out – Bronx Intl High School Peer Mediator Music Video
- In the Harmony
- Playing and Practicing Peace in Baltimore
- Conflict Resolution Educational Gaming: Behind the Scenes with Cool School and Harmony Island
- Lions International Peace Poster Contest
- Kids rap – conflict resolution and respect
- Recess Redone – The Power of Play
- PeaceJam Juniors
- Conflict Resolution Flashmob dances to “We Can Work it Out”
- Inspirational Quote from Bill Kreidler
- Ring the Bells music video
- Peer Mediators as Change Writers
- In a Responsive Classroom
See MORE VIDEOS...
Sample Catalog Resources
Below you'll find a randomized listing of up to 20 related items (we may have more...) drawn from our Resource Catalog.
| Resource Title | Description | Links |
|---|---|---|
| They drop beats, not bombs: Music and dance in youth peace-building | 19-page PDF article from the Australian Journal of Peace Studies, volume 3, 2008 which "focuses on how young people can use music and dance for peacebuilding. It utilises the framework of positive peace so it is concerned with much more than the absence of war or direct violence. Positive peace is a peace with fustice, including gender justice. It involves an assurance of fair social, economic and political arrangements’ and the preservation of human rights. Peacebuilding from this perspective seeks ‘to prevent, reduce, transform, and help people recover from violence in all forms, even structural violence that has not yet led to massive civil unrest." | |
| Peace new birth, number 3 | Newsletter of the Peace Education Centers of Armenis - Peace new birth, number 3 | |
| Speak Truth to Power: Human Rights Defenders Who are Changing Our World | The Speak Truth To Power curriculum (296 page PDF) introduces general human rights issues through the stories of some remarkable people working in the field, and urges students to become personally involved in the protection of human rights. The curriculum is based on a book written by Kerry Kennedy that lead to a dramatic production by Ariel Dorfman (the play script is included in the curriculum). It is illustrated with a series of photographic portraits of human rights defenders by the late Pulitzer Prize-winning photographer Eddie Adams. Various editions of Speak Truth to Power have been produced, with this one drawing input from the Chicago Public Schools and Chicago Teachers Union. Also available are Cambodian, Italian, and South African editions, and an edition developed in New York State.The focus of the learning activities varies based on the age-group of students you are working with. In pre-kindergarten through grade 3, human rights learning focuses on respect for self, parents, teachers and others. In grades 4–6 the focus moves to social responsibility, citizenship, and distinguishing wants and needs from rights. For grades 7 and 8, the focus shifts to introducing and enhancing specific human rights. At the high school level, grades 9–12, the focus expands to include human rights as universal standards, integration of human rights into personal awareness, and behavior. | |
| Participatory Theatre for Conflict Transformation Training Manual | Participatory Theatre for Conflict Transformation is a way for artists to apply their creative energy to the cause of lasting peace. This 50-page manual, developed by Search for Common Ground while working in the Democratic Republic of Congo, provides background information on the use of participatory theatre as well as workshop and presentation strategies honed in more than 600 performances in front of more than 500,000 spectators. | |
| 2010-2011 Playworks Playbook | Playworks is a non-profit organization whose mission is to improve the health and well-being of children by increasing opportunities for physical activity and safe, meaningful play. The Playbook, a 390-page pdf, provides full descriptions of games and activities appropriate for K-5 school children. They are organized in the following categories: Ice Breakers; Readiness Games; Tag Games; Cooperative Games; Core Playground Games and Sports; Core Games Modifications; and Health and Fitness - FitKid Program. Also included is structured curriculum in Violence Prevention and Peace Promotion. The Violence Prevention materials focus on providing students with a set of foundation skills for preventing violence using a framework called the Five Fingers of Safety. The Peace Promotion materials focus on proactive measures to encourage and foster a healthy community, and can be used with a variety of student groups. | |
| Peace new birth, number 2 | Newsletter of the Peace Education Centers of Armenis - Peace new birth, number 2 | |
| The Elementary Child: Teaching to the Spirit, Teaching for Peace | This combined 2-part article (published in 2 separate issues of Montessori Leadership), provides an overview of how Cathleen Haskins implemented a peace education curriculum in a Montessori classroom. It provides information on Montessori's call for peace education, and specific details on the curriculum autonomously created (activities and exercises) and used with students aged 6-9 years, in both a public Montessori and private. | |
| Talking stick, The and The tree of gratefulness: Autumn -- thankfulness at harvest time | 7-page PDF lesson plan which helps students, "to use nature as a means of expressing respect and gratitude." Projects include creating and using a talking stick. | |
| Drama for Conflict Transformation Toolkit: Youth Theater for Peace | Youth leaders and adult facilitators can use the Drama for Conflict Transformation Toolkit to create a customized training agenda based on their needs, timetable, and cultural context. Across Kyrgyzstan, youth participants in the Youth Theater for Peace (YTP) program are using the Drama for Conflict Transformation methodology introduced in the toolkit to create community conversation about conflict issues. Since 2010, participants have collaborated with more than 50,000 audience members to talk about solutions to bullying in schools, labor migration, bride kidnapping, resource scarcity, and substance abuse. | |
| Introduction to nonverbal communication | Word document introducing workshop on nonverbal communication, with exercises and games. | |
| Peace bridges: Newsletter of Peace Education Centers, issue #10, 2007 | Pdf newsletter of a conflict resolution education program in Armenia, with most stories written by school children. | |
| Nonverbal communication card game: Gesture version | Word document with instructions for game in which groups identify nonverbal gestures. | |
| Exploring emotional literacy through visual the arts: With embedded literacy and numeracy skills | 21-page PDF document created to "enable staff who are not Arts practitioners to carry out this [art based] work. They are designed as individual projects but can equally be extended into small group activities ... The aim is to encourage the young person to express visually emotions that are difficult to articulate verbally." Projects include: Making masks (expressing feelings using facial expressions); Abstract art (expressing feelings using colors and shapes); Designing a chair (expressing how I feel about myself); Creating a book (expressing how I feel, exploring what I know about an issue in my life); and Drawing a neighborhood map (exploring safe and unsafe areas where I live). | |
| Bug board | Pdf document for teachers of young students (K-3) to help them identify and deal positively with angry feelings. | |
| Peace new birth, number 6 | Newsletter of the Peace Education Centers of Armenis - Peace new birth, number 6 | |
| Core nonverbal communication concepts | Twenty-six page training packet exploring nonverbal communication. | |
| Non-verbal active listening skills | Word document which describes active listening and outlines five body language postures that mediators should use when listening. | |
| Conflict styles | Powerpoint presentation which defines conflict style, outlines two key dimensions of conflict style, (concern for self and concern for others) and discusses verbal styles of avoidance, competition and compromise. | |
| Communication and culture | Word document discussing communication cues. | |
| Hip-Hop artists: Lesson and activity excerpted from the Tanenbaum curriculum COEXIST | 5-page PDF lesson plan in which students (grade 6-12), "will learn about stereotypes as well as how to identify and challenge their own biases. Students will also make connections to religion as an important aspect of identity and an influence within the realm of Hip-Hop." |